Released: Tuesday, 2.25.14
Although I knew this was not going to be the same Beck from my favorite albums Odelay and Modern Guilt, I thought he might provide a surprise and go back to his eclectic roots for one or two songs. That's not the case here as Beck provides the initial tempo on intro instrumental track, Cycle and sticks with it through Morning, setting the table for the rest of the album. Each song shows how far Beck has come from the funky album Midnite Vultures. Beck used to keep us guessing from track to track on his earlier albums, while layering in Beastie Boy-esque drastic changes. He has become the singer songwriter he is today.
Morning Phase tells a full story and is a complete package rather than having individual treatments and directions from track to track. Not even the single Blue Moon stands alone in the course of the album. This is not to say that individual songs can't stand out on their while taken out of the blanketed approach. Don't Let It Go and Country Down can be pulled from the story as standouts and carry their own weight. Although changing pace on these particular tracks, they still perfectly fit in the grand scheme. On Don't Let It Go, he plucks away from the start and serenades, ..."Don't let them turn you out/Don't it turn your mind inside out..." Keeping with the same theme of vague reference of waking to new days and standing ground. Who would have ever thought when I was using a #2 pencil, attempting to frantically adjust the tape on my cassette to hear the waste-oid anthem Loser, I'd be listening to the same artist sing about change, outlook and breaking through barriers 20 years later.
Rating: 3.5 out of 5